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vimeo.com 2022-10-07 12:04:52
Know the benefits of installing outdoor blinds in Adelaide
The popularity of outdoor living spaces has made it extremely important for homeowners to add different elements that will make the space more exciting, comfortable and functional. One of the ways of achieving a highly enjoyable outdoor space is with the addition of outdoor blinds in Adelaide as it allows you to enjoy the space to the fullest. This modern investment is known to offer many benefits as it can easily transform the outdoor space into a place for relaxation and socialization. Your property will be protected from the extreme weather conditions and the blinds will work wonders to add an aesthetic appeal to your property. Choosing this window covering also provided enhanced privacy to the homeowners so that they will enjoy using this popular choice for creating a valuable and enjoyable space outside your home.
Know the benefits of installing outdoor blinds in Adelaide
Improved aesthetic appeal- choosing this ideal option means that the aesthetic appeal of your home will be improved. You will also be able to enjoy the outdoor area with complete privacy so that your family will have the best space for relaxation. You can easily host parties at this outdoor space because you will get the best looking space that has been adorned with outdoor blinds for completing the entire look.
Offers reliable shade- installing outdoor blinds is more beneficial than any other window covering because it helps your home from every kind of natural elements and dangers. You will no longer have to worry about the sun heat, heavy rainfall or snow when you can have installed outdoor blinds according to the coverage and height you need over the windows.
Wide color selection- outdoor blinds are available in a wide variety of colors so that you can choose any color that will match the color scheme of your home. There are many classic and attractive colors of outdoor blinds that you can choose from so that your home will become cooler and comfortable even when the outside temperature is unbearable. The diverse color options offered in outdoor blinds is ideal for adorning your space perfectly so that it will match the interior look of your living space.
Added privacy- installing outdoor blinds adds more privacy to your indoor space so that you and your family will be protected from the prying eyes of the outsiders. You will enjoy complete comfort and freedom as you will have a space that is free from any kind of distractions and disturbances.
Labor Ethics & Finance Reform in a New Era at Build from Here w/ FoolsFURY Sunday 13 September 2020
The Year I Stopped Making Art. Why the Art World Should Assist Artists Beyond Representation: in Solidarity | Terremoto
“The year I stopped making art was the year I became a single parent. It was 1622, I got enslaved and was taken by force to North America to work in a field. It was 2003 and I had to travel to another country to get an abortion. The year I stopped making art was 1997. When I had to save thousands for my tritherapy and to provide for my mother who had just lost her job.”
The Year I Stopped Making Art. Why the Art World Should Assist Artists Beyond Representation: in Solidarity | Terremoto
“The year I stopped making art was the year I became a single parent. It was 1622, I got enslaved and was taken by force to North America to work in a field. It was 2003 and I had to travel to another country to get an abortion. The year I stopped making art was 1997. When I had to save thousands for my tritherapy and to provide for my mother who had just lost her job.”
Bega gallery missed out on Regional Cultural Fund grant despite being rated top priority – ABC News
“Documents obtained by the ABC under freedom of information laws reveal the Bega project was overlooked in favour of an $8 million investment to help build the Mackay Park Aquatic, Arts and Cultural Centre in nearby Batemans Bay.”
Silica Mag — Under The Road
Armadillos have terrible eyesight and can’t run very fast, whereas we humans move too quickly and have terrible foresight.
do it (australia) | Kaldor Public Art Project 36
New UNESCO report – Freedom & Creativity: Defending art, defending diversity | Diversity of Cultural Expressions
“UNESCO sheds light on the current advances and challenges in the legal protection of artistic freedom, the protection of the social and economic rights of artists and cultural professionals, and the monitoring of artistic freedom.”
Carriageworks could be saved by scrapping Powerhouse Museum plan
“What is it about Australians that leads us to chronically undervalue our arts and culture? It has not always been so, but in recent decades, we have seen diminishing funding, dwindling federal and state support, a slackening of interest among our decision makers, and a sense almost of apathy about one of the most vital sectors of our society and economy.”
Finding the vocabulary for the future: Wesley Enoch on cultural leadership in crisis | ArtsHub Australia
“Sydney Festival Director, and Noonuccal Nuugi man Wesley Enoch is a provocative commentator on cultural leadership. He believes artists should be more vigorously involved in politics and community. In this interview, recorded as part of UNSW Art and Design’s lecture series on Cultural Leadership, Enoch addresses the practical and aesthetic forms of leadership required during the COVID-19 crisis, and how the pandemic may change the way art is valued and experienced long term. “
Forest Law
Ursula Biemann
Switzerland / 2014 / 32′
Forest Law is a collaborative video project with Paulo Tavares on the cosmopolitics of Amazonia. It draws on research carried out in the oil-and-mining frontier in the Ecuadorian Amazon— one of the most biodiverse and mineral-rich regions on Earth, currently under pressure from the massive expansion of extraction activities. At the heart of Forest Law is a series of landmark legal cases that bring the forest to court and plead for the rights of nature. The artist talk will focus on one particularly paradigmatic trial that has recently been won by the indigenous people of Sarayuku based on their cosmology of the living forest.
How COVID-19 and years of neglect have created a perfect storm for the arts in Australia – The Adelaide Review
“COVID-19 has left Australia’s theatres, galleries and rehearsal rooms shuttered and its arts community reeling. But the unfortunately timed announcement of the Australia Council’s four-year funding cycle in April has shown just how this already underfunded sector is being pushed to the brink. “
Carriageworks enters voluntary administration
“Carriageworks, the cultural centre based in the historic Eveleigh rail yards, has become Sydney’s first major arts company to call in administrators as the coronavirus pandemic wreaks havoc across the industry.”
Is @ScottMorrisonMP going to go down in history as the Prime Minister who allowed Australia’s internationally respected arts sector to die on his watch? https://t.co/86wLhyuK7m
Exit interview: Angela Conquet, Dancehouse | ArtsHub Australia
“‘I think on a macro level this could be the right opportunity to ask yourself some of those questions – what other forms of assembly are there? Can we replace embodied presence, particularly in our art forms? How do we engage with the artist? How do we support them? How does art reach the audience? And does it make the right connection in the right moment in time?”
Arts funding: a survey of destruction » Witness Performance
“After the thousands of words I’ve written on this topic, I feel that I don’t have anything new to say. Right now, in the shadow of COVID-19, it feels both too early and too late. In a profession that has always been characterised by uncertainty, I have never felt less certain about anything.”
Artists shouldn’t have to endlessly demonstrate their value. Coalition leaders used to know it
“Arguments for Australian culture often focus on what it should say to demonstrate its worth. Rarely considered is the government’s capacity to listen, or the extent to which it is able to meaningfully interpret the truckloads of evidence put to it. The sector can present all the data it likes. In the end, the government has to choose which to accept and act on. For this, it needs its own cogent idea of culture.”
Reconsidered: Dhaka Art Summit 2020 » Arts of the Working Class
“Berlin-based artist and writer Sumugan Sivanesan is concerned with how a focus on collective organisation at the recent Dhaka Art Summit, Bangladesh, belies how power is enacted and distributed in such major contemporary art events.”